The Critics Dig A DOLL'S HOUSE PART 2 at the Jungle Theater!

82094779_10157986281397427_597721961405087744_o.jpg

We have opened our little skit in chilly Minneapolis, and the critics came out even in a snowstorm to see the fine work of these actors and designers who are an all-star team from the Twin Cities. It was a true pleasure to direct in in the lovely jewel-box of a stage at the Jungle Theater.

Here are some nice things that were written about our show:

“…the cast is exceptional and Schultz has calibrated the play so it feels like every moment takes us deeper into the fascinating puzzle Torvald spells out when he wails, ‘Being with people, does it have to be so hard?’” -Chris Hewitt, Minneapolis Star-Tribune

“This 2017 script has quickly become one of the most-produced plays in the country, and in Schultz’s compelling production it’s easy to see why. The premise provides a natural hook, and Hnath’s crucial insight is that Ibsen’s play ended just when the conversation was starting to get interesting. It’s frankly thrilling to watch some of Minnesota’s finest actors continue that conversation; the superb ensemble crackles with high-wire energy.” -Jay Gabler, City Pages

“The direction by Joanie Schultz makes the story feel modern and cinematic, while still feeling that it takes place at the end of the 19th century.” -Laura Kulum, Twin Cities Stages

“The direction by Joanie Schultz is bold. There are music and projection choices that scream 2020, but they work, without taking us out of the period of the play…The Jungle Theater has assembled a cast that brings depth and humor to this play, each actor finding their characters’ truth and convincing us of it as well. This is a night out that will keep you thinking and give you much to talk about after you leave the theater, but it will do it while also making you laugh, a lot!” -The Stages of MN

“Director Joanie Schultz is Chicago based but has cast a dream team of four Twin Cities actors who know each other well. Nora's needs drive the plot, and she's onstage without a break, so it's great to have the brilliant and beautiful Christina Baldwin in the role: she gives Nora zest, confidence, and heart, despite the ways in which her actions impact others. She and Schultz have made some interesting choices: for instance, some moments into the action, they break the fourth wall and have Nora address the audience directly with the line "We know it's sad," referring to the frequent waste of human potential in marriage.” -Karen Bovard, Broadwayworld.com